Come celebrate the hanging of these banners in the Old Government Buildings in Wellington! Enjoy the creativity expressed and the women honoured.
My mother tells me that even as a very young child I created miniature cities, filling them with people, cars, trees and houses. That interest has never left me. So the restrictions on space on my trip to Dusky Sound saw me move from painting on location to photographing my Fossil Family in the location.
The Fossil Family are part of my historical plastic collection and I have photographed them in many different environments and situations around the world. Their individual personalities and qualities have slowly emerged over this time. It seemed natural when I was invited by the Department of Conservation to Dusky Sound as part of the Tamatea Art Project, to take them with me.
My time on Anchor Island was very special and I learnt about the work that is involved on a day to day basis by passionate workers to help ensure the survival of Aotearoa New Zealand’s unique flora, fauna and special places.
My book launch was held at Murihiku Maori and Pasifika Cultural Trust’s rooms in Invercargill – a big thank you to Pauline and Ari for all their help!
The book is available for purchase at Gallery De Novo Dunedin, Eastern Southland Gallery Gore, DOC Visitors Centre Te Anau, Orokonui Sanctuary Waitati, PC Gallery Port Chalmers or from me.
I’ve been very busy over the last few weeks with this project and have been to Ferrymead in Christchurch for Heritage week, then to Wellington and the Cabinet Room of the Old Government Building working with Te Roopu Raranga o Manaia and last weekend, here in Dunedin, at the Otago Pioneer Women’s Memorial Hall.
It must be 20 years since I was last at Ferrymead and it was great to be back – I just love it! It was a busy workshop with many participants young and old.
It was nice to go to Wellington and the Old Government Building and see the place where the banners will finally be hung next year in April. Working with a friendly group of weavers and glad to learn a new weaving stitch from them.
This project is a partnership with Heritage New Zealand and aims to celebrate 125 years since New Zealand women gained the vote with the making of banners in seven historically significant places around NZ.
It was just wonderful to work with a great bunch of people in this beautiful old home – a home where suffragettes had meetings when they were fighting for the vote. It felt as if the family had just stepped out for the day and let us use the ballroom to make the banners in.
it was a busy day and beautiful work was done by very talented and creative women, young and old. The day was a real celebration of both suffrage and creativity, full of laughter and the sharing of stories.
A big thank you to Francesca and Rendell for such a great day and to Creative New Zealand for their funding contribution to this project!
Earlier this year I was asked by Creative New Zealand to be one of the artists interviewed about their experiences and knowledge of working in community arts to help create Keteparaha Mo Nga Toi Hapori (Community Arts Toolkit) – a best practice guide to community arts projects in Aotearoa New Zealand. The kit can be accessed here: Community Arts Toolkit – Creative New Zealand
I was interviewed in the Art room at Bathgate Park school where I am Artist in Residence 2 days a week.
This is an ongoing community arts project designed in partnership with the Department of Conservation (DOC). The project’s aim was to connect communities to their local natural environment and give participants an opportunity to celebrate their love of nature through art and share this with the wider community. Many groups joined this project and many workshops were held in Te Anau, Manapouri, Invercargill, Riversdale, Dunedin, Motueka and Nelson. Community groups from Kids Restore the Kepler, Dunedin Creative Fibre, Manapouri Art group, James Hargest College, Murihiku Maori & Pasifika Trust, Blue Mountain College, The Shed, Auckland Point school and many more.
Participants in the My Piece of Nature workshops were invited to think about how nature is important to them, and express these ideas through the decoration of two small wooden cubes – one kept by the person and the other added to the project. Hundreds of cubes were decorated!
These workshops were made possible with funding from Creative New Zealand and the Department of Conservation.
This is the second year I have exhibited with this group. It is interesting that a small gallery in a rural area in New Zealand with the help of a group of volunteers can put on an exhibition with an important message. In fact within the art establishment around the world discussions are taking place about the sources of funding and sponsorship for public art galleries. Do these sources have an interest in arms, money laundering, sex slavery and human trafficking. How independent should a public art gallery be and what is its social responsibility.
Never underestimate the generosity of a school community! This fence was made out of off cuts donated by that community, saving loads of money on this art project. My job as a community artist is to have an overview of both the finished design and the making but the students do the actual design and building. They designed different objects based on the shapes of the timber off cuts and then built them using screws and nails and off cuts that were actually bigger than them! This was a whole school project and they persevered through wind, rain and heat and created this fence to protect the new garden and orchard.
When I left school I trained as a Graphic Designer and it is a skill that has served me well. It has been a pleasure to be involved in this wonderful poetry book edited by Lorraine Ritchie and featuring poems by New Zealand nurses. Copies are available from the New Zealand Nurses Organisation.
My favourite light house has always been Te Motu Piu / Dog Island which is also the tallest one in NZ. It was originally made from rock quarried on the island (which is quite small) but as it developed a lean over the years it was concreted over. I was fortunate to be offered a trip to Te Motu Piu on a cool 1959 motor launch, vintage is always a passion, and had a marvellous day painting!
I was remindeed of the difficulties of getting wet canvases on and off boats. Thanks Rawiri!